The chapters I'm in right now are on poetry. Poetry analysis is not as fun for me as literature analysis, but whatever. It's not usually difficult. For instance, the first question on the submission for these chapters was to identify certain poetic devices in two given poems. Easy. I flippantly started the search. It took me a day's attention span to answer that one question, and I really hacked the poems to bits trying to assign every word to a device. Naturally, I did not re-read the question until I was done. I was only supposed to identify one example of each device per poem. But I am not letting all of that work go to waste. So please, PLEASE enjoy my error.
The two poems:
Kubla Kahn, by Samuel Taylor Coleridge
Pied Beauty, by Gerard Manley Hopkins
The devices and examples:
Euphony:
Kubla Khan: “incense-bearing
(line 9),” “e’er (15),” “momently (19),” “half-intermitted (20),” “‘mid (23),”
“’mid (29),” “’twould (44)”
Pied Beauty: “couple-colour (2),” “brinded (2),”
“Fresh-firecoal chestnut-falls (4),” “áll trades (6),” “fathers-forth (10)”
Cacophony:
Kubla Khan: “In Xanadu did Kubla
Khan (1),” “ceaseless turmoil seething (17),” “beneath the thresher’s flail
(22), “all should cry, Beware! Beware! (49), “drunk the milk (54);” honestly
the whole poem is a bit cacophonic.
Pied Beauty: “skies of
couple-colour as a brinded cow (2),” “stipple upon trout that swim (3),” “landscape
plotted and pieced (5)”
Onomatopoeia:
Kubla
Khan: “Oh! (12),” “wailing (15)”
Pied
Beauty: I couldn’t find any definite examples.
Alliteration:
Kubla Khan: “Kubla Khan (1),”
“dome decree (2),” “river, ran (3, 26),” “measureless to man (4, 27),” “sunless
sea (5),” “five… fertile (6),” “with walls (7),” “sunny spots (11),” “woman
wailing (16),” “ceaseless turmoil seething (17),” “mighty fountain momently
(19),” “miles meandering with a mazy motion (25),” “mingled measure (33),”
“from the fountain (34),” “damsel with a dulcimer (37),” “deep delight (44),”
“loud and long (45),” “flashing… floating (50)”
Pied Beauty: “Glory be to God
(1),” “skies of couple-colour… cow (2),” “fresh-firecoal chestnut-falls;
finches’ (4),” “plotted and pieced (5),” “fold, fallow (5),” “tackle and trim
(6),” “spare, strange (7),” “fickle, freckled (8),” “who knows how (8),”
“swift, slow; sweet, sour (9),” “adazzle, dim (9),” “fathers-forth (10),” “past
change: Praise him (10-11)”
Assonance:
Kubla Khan: “In Zanadu did Kubla
Khan (1),” “decree… sea (2/5),” “ran… man (3/4, 26/27),” “ground… round (6/7),”
“twice five miles (6),” “rills… hills (8/10),” “tree… greenery (9/11),”
“slanted… enchanted (12/14),” “cover… lover (13/16),” “seething… breathing
(17/18),” “hail… flail (21/22),” “motion… ocean (25/28),” “pleasure… measure
(31/33),” “waves… caves (32/34),” “device… ice (35/36),” “maid… played
(39/40),” “me… me (42/44),” “song… long (43/45),” “air… there… Beware… hair
(46/48/49/50),” “ice… thrice… Paradise (47/51/54),” “dread… fed (52/53)”
Pied Beauty: “things… wings
(1/4),” “couple-colour (2),” “cow… plough… how (2/5/8),” “swim… trim… dim… him
(3/6/9/11)”
Slant rhyme:
Kubla Khan: “Kahn… ran (1/3),”
“twice five miles (6),” “enchanted… haunted (14/15),” “forced… burst (19/20),” “far…
war (29/30),” “saw… Abora (38/41)” “cry… eyes (49/50)”
Pied Beauty: “wings… strange
(4/7)” fallow… plough (5),” “fickle, freckled (8)”
Internal rhyme:
Kubla Kahn: “measureless… sunless
(4/5),” “fertile… girdled (6/7),” “cry… eyes (49/50)”
Pied Beauty: “dappled… brinded
(1/2),” “all… falls (3/4),” “fallow… plough (5),” “original… fickle (7/8),”
“fickle, freckled (8)”
Masculine rhyme:
Kubla Kahn: “decree… sea (2/5),”
“ran… man (3/4, 26/27),” “ground… round (6/7),” “rills… hills (8/10),” “tree…
greenery (9/11),” “hail… flail (21/22),” “far… war (29/30),” “waves… caves
(32/34),” “device… ice (35/36),” “saw… Abora (38/41),” “maid… played (39/40),”
“me… me (42/44),” “song… long (43/45),” “air… there… Beware… hair
(46/48/49/50),” “ice… thrice… Paradise (47/51/54),” “cry… eyes (49/50),”
“dread… fed (52/53)”
Pied Beauty: “things… wings
(1/4),” “cow… plough… how (2/5/8),” “swim… trim… dim… him (3/6/9/11),” “wings…
strange (4/7)”
Feminine rhyme:
Kubla Kahn: “twice five miles
(6),” “slanted… enchanted (12/14),” “cover… lover (13/16),” “seething…
breathing (17/18),” “motion… ocean (25/28),” “pleasure… measure (31/33)”
Pied
Beauty: “couple-colour (2),” “fickle, freckled (8)”
Eye rhyme:
Kubla
Kahn: “Kahn… ran (1/3)”
Pied
Beauty: I couldn’t find any definite examples.
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